Are you ready to be shocked by an eighty year old movie? Back
before the Production code made scandalous or risqué material a no no, Red Dust
was just the type of thing that grabbed the movie going masses.
Basic triangle: prostitute Jean Harlow plus rugged and macho Clark Gable plus refined lady Mary Astor. Throw in a rubber plantation in the tropics, Astor's husband stricken by malaria and a steamboat that won’t take one of the women away, and you have more chemistry and conflict than you'd think you could pack into less than ninety minutes.
In an age of heightened glitter and movie illusion (and platinum bleached hair) the three leads are real, human and believable, and create more heat than there was in Malaysia.
If you mainly know the mustachioed Gable from Gone with the Wind then you have to see him here, in his star making role, still clean shaven but messy and rugged, cementing his status as the most mature and masculine leading man of the era.
It took a strong woman to stand up to him in the movies, and Jean Harlow was one of the few who could. For many, Harlow's greatest claim to fame is her death at twenty-six; don’t be one of those deprived people, going through life without the experience of seeing cinema's original blonde bombshell, she who was the mold for later versions like Marilyn Monroe. During filming, Harlow’s movie producer husband put her in the news by committing suicide under mysterious circumstances; when the movie came out it was just Harlow who got the attention, in her nearly nude barrel bathing scene and for being amazing as a sassy, playful and petulant force of nature.
Mary Astor was class personified, but not laced up so tight that she couldn’t give her roles the needed twists of snark, naughtiness and desire. When Red Dust was remade twenty years later as Mogambo, they had a super cast (Gable caught between Ava Gardner and Grace Kelly) but somehow managed to leave most of the heat and sizzle back in 1932.
Basic triangle: prostitute Jean Harlow plus rugged and macho Clark Gable plus refined lady Mary Astor. Throw in a rubber plantation in the tropics, Astor's husband stricken by malaria and a steamboat that won’t take one of the women away, and you have more chemistry and conflict than you'd think you could pack into less than ninety minutes.
In an age of heightened glitter and movie illusion (and platinum bleached hair) the three leads are real, human and believable, and create more heat than there was in Malaysia.
If you mainly know the mustachioed Gable from Gone with the Wind then you have to see him here, in his star making role, still clean shaven but messy and rugged, cementing his status as the most mature and masculine leading man of the era.
It took a strong woman to stand up to him in the movies, and Jean Harlow was one of the few who could. For many, Harlow's greatest claim to fame is her death at twenty-six; don’t be one of those deprived people, going through life without the experience of seeing cinema's original blonde bombshell, she who was the mold for later versions like Marilyn Monroe. During filming, Harlow’s movie producer husband put her in the news by committing suicide under mysterious circumstances; when the movie came out it was just Harlow who got the attention, in her nearly nude barrel bathing scene and for being amazing as a sassy, playful and petulant force of nature.
Mary Astor was class personified, but not laced up so tight that she couldn’t give her roles the needed twists of snark, naughtiness and desire. When Red Dust was remade twenty years later as Mogambo, they had a super cast (Gable caught between Ava Gardner and Grace Kelly) but somehow managed to leave most of the heat and sizzle back in 1932.
See it SATURDAY, OCTOBER 20 @ 06:00 AM on TCM; it also came out on DVD this week.
Find me at the Speakeasy
for much more classic entertainment.

